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Michael McWatters's avatar

The "expansive worlds" idea is a compelling one. And it's why so-called "choose your own adventure" formats have been tried in the past, though with somewhat limited success. Nonetheless, I'm curious to see how this idea might evolve.

What this concept doesn't seem to address, though, is the problem of creating shared experiences, of creating common cultural touch points. The thing about weekly-drop TV shows, at least in the past, was that any desire to binge was offset by two equally powerful psycho-emotional components: Anticipation and The Spacing Effect (the phenomenon where information or experiences separated by time are better retained or appreciated).

In between each episode of the Sopranos, viewers were pinned in time and place by the last episode. Shared anticipation grew over the week, while the last episode's impact was magnified in our collective memories, creating an almost built-in, real-time nostalgia. More importantly, they were pinned in time and place—together. (The classic analogy is the campfire, where a small group is entranced by a single storyteller, their collective experience seemingly heightened by sharing the same experience.

"Expansive worlds" seems to be a different kind of thing—perhaps an equally compelling and impactful kind of thing. But it doesn't seem to be a replacement for those so-called water cooler moments. Or, perhaps the social component of the expansive world is found in each of us becoming a kind of narrator or guide, urging others to explore for themselves.

Still, in a world where everyone is microscopically focused on what matters to them most, there's something to be said for shared cultural moments, for anticipation, and for the kind of imprinting that happens in the "in between" spaces. (That's probably why sports still have their allure—there's the shared moment, the anticipation of the next moment, and the time in between to reflect on what happened the game, match, or season before.)

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Ace Bhattacharjya's avatar

This hits the nail on the head—streaming has optimized for consumption, not connection. Have platforms fundamentally miscalculated the emotional currency of television?

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